Ventilator – Alive and Kicking

This is India. A country with a special meaning to the word Family. We have many types of family setups in India. A nuclear family has its own set of living styles. It is small, it keeps to itself and handles its own problems. A large family meanwhile is totally different organization in chaos. It works on its own different set of rules and principles which are unlike a nuclear family. In a large family, all the members stay together with an important part to play in the smooth functioning of the family wheels. But what happens within a large family which has broken up to go nuclear, but is still bound together by a frail thread called relations? Ventilator, a Marathi movie depicts exactly that.

Though it’s a bit late for this, as I had seen it quite some time back, it’s never to late to log a review. Especially a movie with a region constrained viewership. And one never “wastes time” writing.

A renowned film maker, RK(played by Ashutosh Gowarikar) is called up from an important film screening to attend to his uncle who is hospitalized and attached to a ventilator, probably breathing his last. The hospital is filling up with the relatives, but many more are yet to come. The film depicts the various scenarios, intentions, agendas which pull the relatives to the deathbed of a relative who holds an important place in the family tree.The intentions could be to get the last glimpse of  the “alive him” or it could be a far more selfish motive of finalizing the property distribution. Whatever be the case, relatives start flocking the hospitals, and bring along their usual din. The lobby fills up with the relatives, grouped by intents, few chatting away discreetly while other announcing their presence to the world.

The immediate family members meanwhile are weighing their own decisions. The decision to pull the plug and let God take over or to keep the hope alive. They have to make it quick so as not to inconvenience other during the ongoing festival. But its a hard decision for the son to make, given the evidently strained relations between him and his father. The relatives add confusion to the matters. The doctor presents his practical point of view which doesn’t help much except that and ultimatum for the decision is set. He has support of the close relatives who have been in constant touch with him but the decision is his to take. His sister and his mother meanwhile cling to the thread of hope.

It all boils down to the final minutes of the movie, where the son is brought back to his senses through some poignant insight to his early life provided by his uncle. The decision is finally taken.

If you read again, the above, you will note that a renowned film maker is mentioned earlier, but with no worthwhile reference to him all along. That’s because he himself is not the center of the storyline though the story is loosely seen from his vantage point. It’s about the strained relations amongst family members. He himself has issues of his own and the events at the end of the movie help him solve those.

Priyanka Chopra in her in her production venture has managed to make a good one. Directed by Rajesh Mapuskar with another hit, Ferrari Ki Sawaari under his belt and association with other hit Bollywood movies like Munna Bhai MBBS, Lage Raho Munna Bhai and 3 Idiots, this film provides him with the crown he deserves.

This one deserves a 4.5/5.

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